| Designs
using 2 flaps |
Z Plasty
The Z plasty results from
the paired transposition of two triangular flaps. A common design uses
equal size, equilateral triangle (60°) flaps, but many variations are
possible. Although simple Z plasty is very useful in the treatment of flat
surface scars, it may result in an unnatural "cleft" appearance when used
for web space deepening. |
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Transposition
flap
This design is a zig zag
like a Z plasty, but more accurately is called a transposition flap. Here,
the narrow flap rotates and the wide flap advances to close the narrow
flap donor site. |
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| Designs
using 3 flaps |
Square Flap
or
Three Flap Plasty
This can be thought of as
a double transposition flap. The narrow flaps rotate, and the wide flap
advances to close their shared donor site. At first glance, the blue and
yellow flaps look like a Z plasty, but they rotate away from, not toward
each other. |
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| Designs
using 4 flaps |
"90-90" Flap
or
Four Flap Plasty
This unique design combines
the Z plasty and the bilobed flap designs. At first glance, the center
red and blue flaps look like a Z plasty, but look how far apart they wind
up. This flap takes advantage of the unique geometry of the interdigital
web. |
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Multiple
Z plasties
A single tight band may
be lengthened with a series of Z plasties. |
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Double
Z Plasty
Z plasties may also be immediately
adjacent to each other. This allows more flaps to be used in a narrow space,
as in this double Z plasty. |
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| Designs
using 5 flaps |
Butterfly
Flap
or
Double Opposing Z Plasty
This is a double Z plasty,
with the flaps planned as mirror images. In addition to the two lateral
Z transpositions, the upper (red) flap wraps around the additional inner
(green) flap created with this design, increasing the length gain over
a simple double Z design. |
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Alternate
Butterfly Flap
Separating the Z plasties
blunts the tip of the inner (green) flap, which improves the fit with the
upper (red) flap. |
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Jumping
Man Flap
or
Five Flap Plasty
This is a modification of
the double opposing Z plasty. The upper (red) flap is partially split to
allow Y-V advancement of the inner (green) flap. Because this split narrows
the vascular pedicle to the lateral flap tips, their angles are planned
more obtuse (75°) than for a typical double opposing Z plasty. |
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Alternate
Jumping Man Flap 1
This design allows for greater
Y-V advancement and lengthening. It requires supple skin other than the
tight band itself. |
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Alternate
Jumping Man Flap 2
This design places greater
emphasis on the lateral Z plasties and less on Y-V advancement. It is more
appropriate for use in a heavily scarred bed. |
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Repeating
Flaps
|
Multiple
Zs
Z Plasties can be constructed
along a long narrow scar without limit.
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Alternating
Z-VY
5 flap plasties may also
be constructed. This geometry allows for greater lengthening and more even
redistribution of skin tension.
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| Advancement
Flap Designs |
V-Y Flap
Modest length gains can
be achieved with a transversely oriented V-Y flap. Best application is
lengthening a linear scar when geometry prevents the use of transposition
flaps. |
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Multiple
Y-V Flaps
No flap rotation is required,
and the lenthening achieved is less than for the other multiple flaps illustrated.
The final result resembles that of the 5 flap plasties above. |
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V-M
Plasty
This is actually an extension
of the Y-V principle, and is appropriate for dorsal burn syndactyly. |
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Modified
V-M Plasty
The V-M plasty results in
lateral "dog ear" skin redundancy, which may be incorporated into the flap
design to increase lengthening. |
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